When I was in film school (mid-90s) I took a documentary class in which we learned about the history of documentary film - which at least in the early stages, was the history of film in general. One of the films we studied was " Man with a Movie Camera ," an experimental documentary directed by Soviet filmmaker Dziga Vertov in 1929. Despite the fact that he was making a movie for the Soviet propaganda machine, he made a movie for himself, satisfying his own curiosity about connections in the world, the beauty, the expressiveness of movement, and the day to day life of the common man (aka the proletariat). I was deeply impressed by the power of the medium in Vertov's hands, the innovative use of shadow and light, movement and stillness, the moments of the every day used to highlight a grander idea, larger than one person or one moment. He used experimental (for the time) techniques such as jump cuts, filming at fast and slow speeds, multiple exposures, stop motion, freez...